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| No. |
所蔵館 |
配架場所 |
資料番号 |
資料種別 |
請求記号 |
帯出区分 |
状態 |
所蔵棚番号 |
ＡＪ区分
|
取込区分
|
在架
|
| 1 |
中央 | 1F外国資料 | 1049469107 | 図書 | 723//<ENG> | | 在庫 | R2B,R2C | 一般書(A) | |
○ |
関連資料
この資料に関連する資料を 同じ著者 出版年 分類 件名 受賞などの切り口でご紹介します。
Head in art. Drawing--Technique.
Head in art. Drawing--Technique.
書誌詳細
この資料の書誌詳細情報です。
| タイトルコード |
1000014286042 |
| 書誌種別 |
図書 |
| 書名 |
The artist's complete guide to drawing the head |
| 書名ヨミ |
ARTIST'S COMPLETE GUIDE TO DRAWING THE HEAD |
| 著者名 |
William L. Maughan
|
| 出版者 |
Watson-Guptill Publications
|
| 出版年月 |
2004 |
| ページ |
160 pages:color illustrations |
| 大きさ |
28 cm |
目次
内容細目
| No. |
内容タイトル |
内容著者１ |
内容著者２ |
内容著者３ |
内容著者４ |
| 1 |
Introduction. The drawing method and materials |
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| 2 |
Chiaroscuro |
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| 3 |
Sfumato |
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| 4 |
The materials |
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| 5 |
Substitute materials |
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| 6 |
Working with the pencil |
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| 7 |
Drawing shadow shapes |
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| 8 |
Sharpening the pencil |
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| 9 |
1. Principles of chiaroscuro |
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| 10 |
Line versus value |
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| 11 |
Lost-and-found line |
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| 12 |
Value and form |
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| 13 |
Paper + two pencils = a full-value range |
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| 14 |
The shadow shapes and their edges |
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| 15 |
Form-shadows |
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| 16 |
Cast-shadows |
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| 17 |
The shadow edges |
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| 18 |
The form in light |
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| 19 |
Analyzing form |
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| 20 |
Negative shapes |
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| 21 |
2. Principles of drawing the head |
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| 22 |
Two masses of light and shadow |
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| 23 |
Lighting the head |
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| 24 |
Artificial and natural light |
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| 25 |
Light advance; dark recedes |
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| 26 |
Single focal point |
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| 27 |
Perspective and the three-quarter view |
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| 28 |
Perspective |
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| 29 |
Planes of the head |
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| 30 |
Foreshortening |
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| 31 |
Value pattern |
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| 32 |
Addressing the background |
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| 33 |
3. The drawing process, step-by-step |
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| 34 |
Sculpting the head |
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| 35 |
Gesture |
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| 36 |
The tilt |
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| 37 |
Proportions |
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| 38 |
Placing the features |
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| 39 |
The anatomy of the eyes |
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| 40 |
The orbicular cavity |
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| 41 |
The natural slants of the eye |
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| 42 |
The eyelids, pupils, and iris |
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| 43 |
Positions of the eyes |
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| 44 |
Drawing the eyes |
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| 45 |
Highlights on the eyes |
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| 46 |
Using the paper value |
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| 47 |
Examples of eyes |
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| 48 |
Nose and mouth |
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| 49 |
The structure of the nose and mouth |
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| 50 |
Examples of the nose and mouth |
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| 51 |
Ears |
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| 52 |
Placement of the ear |
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| 53 |
Hair |
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| 54 |
Troubleshooting example |
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| 55 |
4. Putting it all together |
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| 56 |
The five essential drawing steps |
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| 57 |
Review |
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| 58 |
The demonstrations |
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| 59 |
Going forward |
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| 60 |
Practice ideas |
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| 61 |
Self-critique |
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| 62 |
Taking your skills to the next level |
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| 63 |
5. Drawing from multiple sources |
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| 64 |
Combining references |
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| 65 |
A demonstration |
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| 66 |
Examples of composite drawings |
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| 67 |
6. Working with color |
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| 68 |
From drawing to painting |
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| 69 |
The color wheel |
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| 70 |
Complementary colors |
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| 71 |
Color intensity |
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| 72 |
Mixing from the tertiary colors |
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| 73 |
Color temperature |
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| 74 |
Color relationships |
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| 75 |
Warm advances; cool recedes |
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| 76 |
Family of colors |
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| 77 |
Expressive color |
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| 78 |
Pastel painting |
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| 79 |
The materials |
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| 80 |
Caring for your pastel |
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| 81 |
Applying the charcoal pencil |
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| 82 |
Applying the tone |
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| 83 |
Applying the pastel |
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| 84 |
Painting the background |
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| 85 |
Pastel demonstration one |
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| 86 |
Pastel demonstration two. |
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